The chamber works on this recording encompass a variety of instrumental groupings and a range of moods from the humour and lightness of the Serenade to the serious magnificence of the Piano Quintet, a five-movement ‘memorial’ developing the tradition of so great a work as Shostakovich’s single-movement work for this combination. The Three Madrigals set a three-language cycle of miniature poems by Francisco Tanzer, poems which themselves encapsulates much that is distinctively Schnittke through their epigrammatic atmosphere of cryptic completeness.